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RECITAL SHOWCASES SOUTHEASTERN COMPOSER
– The works of Stephen Suber, composer in residence at Southeastern Louisiana
University, left, will be showcased in a recital on Nov. 22 in the Pottle
Music Building Auditorium. The program features three world premieres,
including "Songs of Touch," a musical setting of poems by Southeastern
English major Kevin Cutrer of Kentwood, right. In the background, Suber’s
music faculty colleagues Kenneth Boulton, piano, and Richard Schwarz, alto
saxophone, rehearse another of his works, “Angels.”
RECITAL TO FEATURE PREMIERES BY SOUTHEASTERN
COMPOSER
HAMMOND – Southeastern Louisiana University
faculty and student musicians will join their talents on Nov. 22 for “Suberworks,”
a recital showcasing the works of the university’s award-winning composer
in residence, Stephen Suber.
While Suber’s works have been individually
premiered and performed throughout his more than two decades at Southeastern,
the “all Suber” recital is a first for the composer.
“I have been very productive over the
last year and a half and wanted to showcase those works,” he said.
The free 7:30 p.m. concert in the Pottle
Music Building Auditorium will feature three world premieres -- "Songs
of Touch," the composer’s musical settings of poems by Southeastern student
Kevin Cutrer of Kentwood; “Dithyramb,” performed by the Southeastern Chamber
Orchestra; and “Thorax,” a work written for the 12 musicians of the Southeastern
Trombone Ensemble.
The program will also include "Fanfare
for the Protean Age," which Suber wrote in 2003 as a show piece for the
Southeastern Trumpet Ensemble’s prestigious performance at the International
Trumpet Guild convention; two 1994 compositions, “Angels” and “Starlit”;
“Cat Wars,” composed in 1985 for former student clarinetist Karen Catoire;
and “Upon the Bank at Early Dawn” (1971), one of Suber’s earliest works.
Soloists will include former faculty
member Deborah Andrus, clarinet; Southeastern alumnus Cedric Bridges, tenor;
faculty members Richard Schwarz, alto saxophone, and Kenneth Boulton and
Raisa Voldman, piano. Southeastern students Amanda Tarver, mezzo-soprano,
and Simina Renea, viola, will join Voldman in the premiere of the song
cycle, "Songs of Touch."
“When I began thinking about composing
a song cycle, I remembered some poetry by Kevin Cutrer that had impressed
me deeply,” Suber said. “Kevin had recently been a student in my music
literature course, and he had shared some of his work with me.”
“Of course I thought it was an excellent
idea,” said Cutrer.
An English major, Cutrer, who will
graduate in December, has been published in the “Connecticut Review” and
“Hogtown Creek Review.” Southeastern’s Michael Fanning Scholarship funded
his participation last summer in the annual Festival of Poetry at the Frost
Place, a center for poetry and the arts in poet Robert Frost’s hometown,
Franconia, N.H.
“More than anyone else, Dr. Suber has
seen my writing improve over the past few years,” Cutrer said. “He has
seen the roughest drafts I have written as well as some of my best accomplishments,
and always has been there to help me through the blocks, to guide me away
from the mistakes, and generally to give the support of someone who can
relate to the ups and downs of the creative process.”
“Songs of Touch” encompasses several
short poems, which Cutrer said are united by the theme of touch and how
touch communicates a world of emotions and ideas throughout the span of
a lifetime.
“I first got the idea for this theme
from watching a documentary on skin that dealt a lot with tactile communication,”
Cutrer said.
He said he and Suber worked together,
but separately, on their collaborative creative project. “ I wrote my poems
like I have written all of my other work: from my own experience, through
trial and error, draft after draft, alone,” he said. “Dr. Suber retired
to his own quarters with my offerings and listened for the notes my words
suggested. Along the way we let each other know what we liked and disliked
about how the cycle was going, and changed our contributions accordingly.”
“One often hears horror stories about
artists collaborating, but in our case there’s no clash of gigantic egos
or unhealthy, overzealous competition, since we’re both providing a crucial
piece to the same puzzle,” he added. “What results is an honest team of
two individuals willing to serve the art and nothing else.”
A native of Albuquerque, N.M., Suber
received his bachelor’s, master’s and doctoral degrees at Principia College
in Illinois, Mills College in Oakland, Calif., and Indiana University,
respectively. His compositions for a wide variety of media have been heard
throughout the United States and Europe, and he received Southeastern’s
prestigious President’s Award for Excellence in Artistic Activity in 1987.
Suber's “Symphony Of Wind and Light”
(1981) was first recognized at the 1982 Indiana State University Orchestral
Composition Contest and was performed by the Indianapolis Symphony Orchestra.
Two years later, it was performed and recorded on the First Edition label
by the Louisville Symphony Orchestra under conductor Lawrence Leighton
Smith.
In 1987, Suber’s “The Descent” premiered
at Carnegie Hall’s Weill Recital Hall in New York City and subsequently
was recorded by Opus I Records. His “Enchantments: Concerto for Piano and
Chamber Orchestra,” commissioned by the Louisiana Music Teachers Association,
was premiered in 1992 by the Southeastern Chamber Orchestra, with pianist
David Evenson, head of the Department of Music and Dramatic Arts, as soloist.
It was honored by the National Music Teachers Association and released
on compact disc with the Czech Radio Symphony Orchestra under conductor
Gerard Schwarz.
For additional information about the
recital, contact the Department of Music and Dramatic Arts, 985-549-2184. |